Today, May 25th, is Tsubasa's Birthday! What better way to celebrate than a freshly translated interview with her voice actress: Nana Mizuki? This is from the same magazine as the Aoi Yuuki interview I posted last month. It's a good one, enjoy.
Tsubasa Kazanari is
a “sentinel,” fully dedicated to her duty with a fierce resolve.
Among the other gear users, she always leads the way on the
battlefield with her songs. Tsubasa's strength, beauty and
awkwardness seem to match up perfectly to Nana Mizuki herself. As a
leader of the cast since season 1, she took some time to talk with us
about her experiences and the “bonds” she's developed.
When performing as
Tsubasa, what is the most central part of her for you?
Nana: Of course that has
to be her sentinel spirit (laugh). In the very first episode of
season 1, Tsubasa lost her precious partner Kanade and suffered a
mental breakdown. However when she recovered from that she became
determined to never let anyone get hurt again. So she's always the
first to take action and has her sword at the ready without even
thinking about it. That style of putting herself on the front line is
what defines her character, I think. So no matter how many new gear
users appear, or however strong the enemy is, that's the one thing
that will never change. And as she gets surrounded more and more by
characters that are her junior, the stronger she wants them to look
to her as an example. However she watches over them all very closely
and provides support in a really nonchalant way. It's so nonchalant
that her feelings don't really come across (laugh). She's an
incredibly awkward person.
At the same time
she's a character that has an air of “manliness,” and
there's a side of you like that as well Ms. Mizuki.
Nana: Hahaha, yeah I get
told that quite a bit (laugh). A lot of other ladies tell me “it
would be nice if you could be my boyfriend,” though as a woman
myself I have mixed feelings about that (laugh).
Well you've now put
a third season under your belt, but as always the unique recording
sessions for Symphogear must have been extraordinarily difficult.
Looking back at it, how do you feel?
Nana: The Symphogear recording sessions involve holding the script and turning the pages
as we sing and move in time to the visuals that we watch on screen.
It was really my first experience having to coordinate all of that.
Of course I'm used to singing, but these songs were already
challenging to begin with and having to look at the script and
visuals at the same time means that I have to remember the timing
perfectly or it becomes very difficult. So as a result, I've been
through some long and intense sessions with all the other gear girls
who fought alongside me and so we've bonded quite heavily. At the
end of season 1 there was a song that the 3 of us all sang together,
and then at the first concert we also sang that song together at the
end. In that moment Aoi-chan was like the embodiment of Hibiki
herself, looking up with tears streaming down her face… Ayahi-chan
and I saw that and then we both started crying out loud, too. I'm
incredibly happy to be able to participate in a work like this, where
we synchronize so deeply with the characters and their feelings. A
number of new characters will appear during season 3, so please look
forward to it. On top of that, right from the start of episode 1
Hibiki, Tsubasa and Chris have a song together! The new cast members
were watching when we recorded that and got quite the shock, they
said “THIS is how you do
the recording?” (Laugh)
It's
almost like you're all members of a team for a sport that no one has
ever played before (laugh). There really are no other series as
robust
as this one.
Nana: It's
so true. Season 3 gets even more intense. The songs have powered up
to the point where I think I might have to grow gills to help with my
breathing (laugh). Tsubasa was trained as a gear user from a young
age and strictly raised following the traditions of a sentinel. So
the idea is that she is accustomed to singing difficult songs more
than anyone else… so for this season her songs have raised the bar
on difficulty once again.
I'll say it again: I REALLY want to see a video of these recording sessions, dang it!
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